Alice Gardner began her art career in 1989 when she took a watercolor class with Miles Batt in Arlington, Vermont. Miles was a very non-traditional watercolorist who used bright bold colors in playful and unusual compositions. He was adamant that no one in the class should even think about painting a barn. “There are enough barns. I want you to paint something out of the ordinary.”
Over the years Alice has taken many workshops with artists such as Don Andrews, Carlton Plummer, Robert Burridge, Mary Whyte, and Skip Lawrence. She also returned to study with Miles Batt. She likes to work in gouache, pen and ink, and acrylic. She likes bold flat color and black line.
Alice has always been fascinated with what makes people happy. For her, it is the circus, carousels, Ferris Wheels, Swan Boats, parades, and holidays – places and occasions where people gather to enjoy life. Alice’s paintings are mostly set in Cape Ann or Boston, Massachusetts.
A member of the Rockport Art Association, North Shore Art Association, and Guild of Beverly Artists, she has received many awards including the Carleen Muniz Award, in 2012, from the North Shore Art Association.
Recently, Alice wrote and illustrated a children’s book called St. Peter’s Fiesta. The book was published in June 2017, in time for the 90th Anniversary of St. Peter’s Fiesta in Gloucester, Massachusetts.
My art is about painting joyful, spirited moments in people’s lives using bold color and simple shapes.
What makes people happy? Riding a carousel at the Frog Pond or Greenway? Climbing aboard the quiet, graceful Swan Boats? Perhaps buying a balloon animal from the balloon man, watching the annual Duckling Parade, or attending the Fourth of July concert on the Esplanade?
I keep the initial drawing for my paintings as simple as possible, with distinct shapes. Then I paint with bold primary colors in gouache. After the paint has dried, I cover the entire painting with India Ink and then wash it off to reveal unpredictable and often exciting textures. I finish the painting using gouache and some acrylic.
It is my hope that my paintings bring joy, a little whimsy, and memories of fun times.
Mr. Williamson has been a photojournalist for over 38 years starting his career with North Shore Weeklies back in 1979. He then moved to the Salem Evening News where he was the Chief Photographer from 1981-2000. His career took a twist in 2000 as he saw a move to the internet happening and he became the Photo Editor for the website Autobytel. While there he was the Product Manager for the Auto Gallery product. After three years he felt a need to come back to traditional photography and became the Executive Director of the Cape Ann Photographic Foundation a 501 C3 organization he founded. In 2007 he moved back to the newspaper field to become the Multimedia/Photo Editor for Gatehouse Media North. In August of 2016 Mr. Williamson retired from the newspaper business and started Cape Ann Photo Tours. Over his long career he has won many awards from the New England Newspaper and Press Association and the NPPA. His work has been published in many publications including – The New York Times, The Washington Post, The Los Angeles Times, USA Today, The New York Times Magazine, US Magazine, Yankee Magazine, Sail Magazine, Ski Magazine, Skiing Magazine.
His landscape work has been displayed at the Rockport Art Association where he is a member and at any number of galleries in the area. Cape Ann is where he resides and is his favorite subject.
The natural scene that so many of us take for granted is such a fleeting thing. Slowing down to photograph the suppleness of nature in all it’s forms, and capture the beauty of light and the texture it brings to ordinary subjects is a guiding light for me.
Linda Bourke is a book illustrator and designer. She is Professor Emeritus from Massachusetts College of Art and Design, recently retired from her position as Chair of the Illustration Department. She is fascinated by religious imagery and has an amazing collection of embroidered Sacred Hearts.
“My childhood was saturated with Catholicism. As a good Catholic kid, I read about the lives of the Saints. But the books we were given were all carefully sanitized, portraying all the saints as pious, kind and Caucasian. The real lives of the saints were so much grittier and diverse.
After Mass, when we visited my grandparents, I begged to look through my grandmother’s Sunday Missel, which was stuffed with holy pictures. Most of them showed people with glowing heads and light streaming from their fingertips, which I thought was very cool. But hidden under the back flap were a few cards that I wasn’t supposed to see, but that made a lasting impression. Among them was Saint Lucy, holding her eyes in a saucer, Saint Dennis, carrying his severed head, and Saint Joan, staring towards heaven as she burned at the stake.
There were no explanations for these images, and just as early worshipers invented stories to explain the frescoes and statues they encountered in cathedrals, I did too. For many years I thought Joan of Arc was married to Noah (Mr. and Mrs. Ark.) I made dioramas using cardboard cut-outs to show Saint Joan surrounded by paper flames, while pairs of animals on their way to the Ark watched the spectacle of her martyrdom…
The work in this show is inspired by this childhood mismatching. The Saints are paired, disregarding true timelines, What if Saint Francis and Saint Theresa, both stigmatists, had been together on Good Friday? What sort of music would Saint Cecelia inspire if she and Saint Gertrude, patron saint of cats, were BFF?”